House caught in a web. 2018

House caught in a web. 2018. J.Harms. Acrylic on canvas. 38x46cm.

The more I dwell on my “American journey” the more I realise how the paintings resulting from my visit last May in the town of Beloit, where I used to spend summers of my childhood, are turning into little satires, with a whift of symbolism attached to them. I usually like to play along with the titles of my paintings. Many have double meanings, I believe it helps those looking at my art to see all the layers, but I usually stay clear of incorporating politics and morals into my work. I don’t wish to give lessons. However, it seems that the older I get, the more these “questions” seem to want to show up now and then. Sometimes, artists are like barometers of society’s health and well-being. Through their work, one will experience the emotional sounds of the moment. well, there you go. Can one of you spot the spider ?

Bull in the yard. 2018

Bull in the yard. 2018. J.Harms. Acrylic on canvas. 50×65 cm. (Private collection.)

A small satire of the U.S of A.

Road to knowledge. 2018

Road to knowledge. 2018. J.Harms. Acrylic on paper. 48×63 cm. (Private collection.)

On the first floor of the Logan Museum of Anthropology at Beloit Wisconsin’s college, there is a big window …

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