Le Grand Salon 2019.

 

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Hi !

I will be showing my most recent  paintings at the Grand Salon d’Art Abordable ( the French version of the affordable Art Fair) in Paris again this month.

It’s the only exhibition I will be doing this year.

If some of you are in the area at the end of this month, and wish to come, please direct message me and I will email you an invitation.

Check out  Here  for further information.

 

 

 

La maison des amis de Jenny. 2019

A5848800-DA64-48FF-8AAC-9C2E67B0187FLa maison des amis de Jenny. 2019. J.Harms. Acrylic on canvas board. 28,5×22,5 cm. Commission.

A small painting depicting a house in Brittany, commissioned by my elder sister Jenny. Painting something I have never seen personally is not my favorite thing. However, I don’t think I made such a bad job out of it. I finished the painting after it was framed. The painting is signed on the top left side, right in the shadow.

L’Abbaye. 2019

L’Abbaye. 2019. J.Harms. Acrylic on paper. 48x63cm.

Early this year, my sister and I went to visit Royaumont Abbey. As is my habit in my work, I am constantly on the look out for a certain bouquet of lines in all things or places I see or go through. At Royaumont, what I thought was striking were the very tall trees bordering each side of the path leading to the Abbey. I especially liked their reflection in the water too, and the peaceful atmosphere.

Le Grand Salon 2018

I’m happy to announce that I will be exhibiting again at the Grand Salon D’Art Abordable in Paris in the beginning of November. This is the French twist to the affordable Art Fairs of the world. I will be showing some of my new works.

Bull in the yard. 2018

Bull in the yard. 2018. J.Harms. Acrylic on canvas. 50×65 cm. (Private collection.)

A small satire of the U.S of A.

Attention aux cactus. 2018

Attention aux cactus. 2018. J.Harms. 81×100 cm. Acrylic on canvas.

I was contacted a couple weeks ago by an artist whom I exhibited with last year. She is currently organizing a show in a Parisian gallery and has kindly asked me to participate. The theme for the show is “tropical dream” . Having never been to the Islands, And having absolutely no paintings resembling the theme, I decided to roam the Jardin d’Auteuil in Paris. Those of you that watch the tennis will know that Roland Garros’ courts are right across the street from those extraordinary greenhouses. The main one, resembling a little crystal palace, was closed for maintenance. It held the palm trees which I intended to paint at first. Walking around the gardens to the other smaller greenhouses, I came across the one housing the cacti. Beware of the cacti.

Road to knowledge. 2018

Road to knowledge. 2018. J.Harms. Acrylic on paper. 48×63 cm. (Private collection.)

On the first floor of the Logan Museum of Anthropology at Beloit Wisconsin’s college, there is a big window …

L’arbre d’or. The 6th continent 12/365. 2018

l'Arbre d'or. The 6th C. J.Harms. 2018

L’arbre d’or. The 6th Continent 12/365.2018. J.Harms. Acrylic on paper. 10x15cm.

Row row the boat gently down the milky lake, our wandered settles on a crumb of an island to rest for the night under the golden tree. There he remains till dawn.

Au palais d’Iéna. 2018

Au palais d’Iéna. 2018. J.Harms. Acrylic on paper. 40x50cm. (Private collection.)

At the end of March this year, AD magazine hosted a show ( AD matières ) on contemporary interior decorating at the Palais d’Iéna in Paris. It focused mainly on decorative painting, and other wall finishes ( mosaïc, straw, unique wall-papers…). I was curious to see the new trends, and visited the site with some expectation. Since the decorative world is rather small, I quickly realised that almost everyone presented works of a similar palette of colors, warm golden hues, sometimes just plain gold leaf or paint, brushed over, or combed, or mixed with a darker color, so much so, that I painted the place with warm earth tones, simply because that’s how I remember it.

The show in itself was not very inspiring. However, the location was. The place has a bahausian flair to it.  Coincidentally,  I am half-way through Nicholas Fox Weber’s book “the Bahaus group”.  I wonder if that had some influence on the choice of the subject and the way with which I painted it.

Neige fondante sur la place Niville. 2018

Neige fondante sur la place Niville. 2018. J.Harms. Acrylic on paper. 50x40cm.

The snow has begun melting, puddles are forming, but the triangle shaped “place Niville”, the second village square in my village retains a bit of its white blanket. Already the weather seems to warm up. I wish I could retain the snow just a little bit more.

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