An annual event I enjoy participating to. If you happen to pass by the area come and have a look. The Eglise Saint Pierre is stunning, and the Art is quite nice too.
Senlis Art Fair 2018
Posts by:julie harms
Attention aux cactus. 2018
Attention aux cactus. 2018. J.Harms. 81×100 cm. Acrylic on canvas.
I was contacted a couple weeks ago by an artist whom I exhibited with last year. She is currently organizing a show in a Parisian gallery and has kindly asked me to participate. The theme for the show is “tropical dream” . Having never been to the Islands, And having absolutely no paintings resembling the theme, I decided to roam the Jardin d’Auteuil in Paris. Those of you that watch the tennis will know that Roland Garros’ courts are right across the street from those extraordinary greenhouses. The main one, resembling a little crystal palace, was closed for maintenance. It held the palm trees which I intended to paint at first. Walking around the gardens to the other smaller greenhouses, I came across the one housing the cacti. Beware of the cacti.
Road to knowledge. 2018
Road to knowledge. 2018. J.Harms. Acrylic on paper. 48×63 cm.
On the first floor of the Logan Museum of Anthropology at Beloit Wisconsin’s college, there is a big window …
L’arbre d’or. The 6th continent 12/365. 2018
L’arbre d’or. The 6th Continent 12/365.2018. J.Harms. Acrylic on paper. 10x15cm.
Row row the boat gently down the milky lake, our wandered settles on a crumb of an island to rest for the night under the golden tree. There he remains till dawn.
Au palais d’Iéna. 2018
Au palais d’Iéna. 2018. J.Harms. Acrylic on paper. 40x50cm.
At the end of March this year, AD magazine hosted a show ( AD matières ) on contemporary interior decorating at the Palais d’Iéna in Paris. It focused mainly on decorative painting, and other wall finishes ( mosaïc, straw, unique wall-papers…). I was curious to see the new trends, and visited the site with some expectation. Since the decorative world is rather small, I quickly realised that almost everyone presented works of a similar palette of colors, warm golden hues, sometimes just plain gold leaf or paint, brushed over, or combed, or mixed with a darker color, so much so, that I painted the place with warm earth tones, simply because that’s how I remember it.
The show in itself was not very inspiring. However, the location was. The place has a bahausian flair to it. Coincidentally, I am half-way through Nicholas Fox Weber’s book “the Bahaus group”. I wonder if that had some influence on the choice of the subject and the way with which I painted it.
Yearly self-portrait with noren. 2018
Yearly self-portrait with noren. 2018. J. Harms. 29x39cm. Acrylic on red paper.
This year’s portrait was more difficult to paint than the previous years. I painted and discarded several before finally painting this one. Ten years ago, almost to the day, I left France to go to Japan, where I lived and worked for a year and a half.
It was a tough yet rewarding and meaningful experience. It was there that I found my artistic language among the many colors and lines of the cityscape of Nagasaki.
While living there, I got to witness traditional holidays, and seasonal events. I also visited craft shops, I began collecting art too, and sent home many things, like this noren, a detail of which I painted in the background. It now hangs in my bedroom.
Exhibition at the Château ! 2018
From May the 26th to June, 3rd, I will be exhibiting, along with 50 other artists, some of my paintings at the Château de Lamorlaye in the Oise region of France.
How exciting !
Festival des Arts de Lamorlaye 2018
Urban jungle. J.Harms.
L’îlot. J.Harms
Le concet à l’américaine. J.Harms
Le pédalo blanc. J.Harms
La ville. J.Harms
Les grenouilles d’Amiens. J.Harms
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